1+ day, 4+ hour ago   (355+ words) Nearly four decades after Man to Man first passed through the Royal Court, Tilda Swinton returns to the same role, with much of the same creative team, in a production that now feels less like a revival than a loop…...

5+ day, 6+ hour ago   (777+ words) Noël Coward’s Still Life at Theatre Royal Drury Lane Review Theatre and Tonic Noël Coward’s Still Life at Theatre Royal Drury Lane Review After its first production in 1936, Noël Coward’s Still Life returns to London in a very different format....

6+ day, 5+ hour ago   (172+ words) The Scaring follows the fortunes of former priest Arthur Holland who checks into a hotel and finds himself teaming up with Gerry, the ghost of a long-dead guest, to investigate spooky goings on – all whilst being watched by the hotel’s…...

2+ week, 1+ day ago   (221+ words) A one woman show about growing up in Ireland in a family that expects certain things from you, whilst also trying to understand your sexuality, What’s the craic, God? explores how Aoife tries her best to balance everything and still…...

2+ week, 2+ day ago   (229+ words) A hauntingly phantasmagorical addition to the ever-growing series of Newham Plays. Faithless’ 1990s rave classic Insomnia soundtracked Yasmine Meaden as she depicted the strike’s leader, Eleanor Marx, who suffered from endless bouts of depression. Meaden continued unravelling the threads of Marx’s…...

3+ week, 19+ hour ago   (194+ words) The bigger gap is thematic. Characters are spiked and then the show simply moves on: nobody who did the spiking faces anything resembling a consequence. In Shakespeare, Puck's mischief gets tidied away by magic, but this is a musical that…...

3+ week, 2+ day ago   (396+ words) The Little Woman In My Head Must Die at Upstairs at The Gatehouse Review Theatre and Tonic The Little Woman In My Head Must Die at Upstairs at The Gatehouse Review In Tolkien’s famous stories Hobbits only become adults at…...

3+ week, 3+ day ago   (183+ words) Alone is a two-hander sci-fi thriller written by Luke Thornborough and performed by Courtney Bassett and Kat Glass, and it is one of the tensest hours you will spend at this year's Fringe. Bassett and Glass are superb: taut, truthful,…...